CDs

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at zambooie.com

(11/06/07) Track Listing: 1. Plead The Fifth 2. Come Right Out And Say It 3. I Need You 4. The Best Thing 5. Forgiven 6. Must Have Done Something Right 7. Give 8. Devastation And Reform 9. I'm Taking You With Me 10. Faking My Own Suicide 11. Crayons Can Melt On... See more

(11/06/07) Track Listing: 1. Plead The Fifth 2. Come Right Out And Say It 3. I Need You 4. The Best Thing 5. Forgiven 6. Must Have Done Something Right 7. Give 8. Devastation And Reform 9. I'm Taking You With Me 10. Faking My Own Suicide 11. Crayons Can Melt On Us For All I Care 12. Bite My Tongue 13. Up And Up 14. Deathbed See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) The album that carries U2 into its 25th year--and likely the mixed blessings of the Rock and Roll Hall of Fame--is one of its most frank and focused since the days of October and War. But its gestation was anything but simple, in part salvaged from... See more

(12/19/06) The album that carries U2 into its 25th year--and likely the mixed blessings of the Rock and Roll Hall of Fame--is one of its most frank and focused since the days of October and War. But its gestation was anything but simple, in part salvaged from '03 sessions the band deemed subpar. Enter Steve Lillywhite, the band's original producer and sometime collaborator in the decades since, who helped retool the track "Native Son" (originally an antigun screed) into the aggressive iPod anthem "Vertigo" and leaves his distinctive stamp on the muscular "All Because of You." Perhaps weary of ceaseless, fashion-driven reinvention in the wake of monumental success, U2 seem only too happy here to re-embrace their original sonic trademarks in service of more daring, pop-melodic hooks than they've collected in one place in decades. The Eno/Lanois produced "Love and Peace or Else" may shimmer with the duo's electro-production conceits, but it's Edge's lugubrious, postmodern John Lee Hooker guitar... See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) Having nearly exhausted their capacity for pop-song politics on War and The Unforgettable Fire, U2 turned toward themes of personal identity and complex relationships on The Joshua Tree. Not that the group was willing to come down off the barricades... See more

(12/19/06) Having nearly exhausted their capacity for pop-song politics on War and The Unforgettable Fire, U2 turned toward themes of personal identity and complex relationships on The Joshua Tree. Not that the group was willing to come down off the barricades entirely: "Mothers of the Disappeared" and "Bullet the Blue Sky" turned a jaundiced eye toward Central America and the United States' role there. But the predominant mood here is one of self-discovery and the hunger for something more on tracks like the pulsating "Where the Streets Have No Name" and the gospel-ish "I Still Haven't Found What I'm Looking For." The album's masterstroke, however, is "With or Without You," a nasty love song dressed up as an ode of devotion and care. It ranks with the Police's "Every Breath You Take" as the most misread smash hit of the '80s. --Daniel Durchholz See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) The foursome come roaring out of the blocks with their latest collection. The album's first single, "Beautiful Day," raced to the No. 1 slot on the U.K. singles charts and received a similar rapturous reception stateside. From its shimmering preamble... See more

(12/19/06) The foursome come roaring out of the blocks with their latest collection. The album's first single, "Beautiful Day," raced to the No. 1 slot on the U.K. singles charts and received a similar rapturous reception stateside. From its shimmering preamble to its sweeping, infectious chorus, it perfectly stakes out the middle ground between the anthemic U2 of the '80s and the more grounded group of the '90s. With Daniel Lanois and Brian Eno sharing production chores again after having taken a break with Pop, the U2 team enters the new millennium with their lineup--and mission--intact. --Steven Stolder See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) The final album of U2's early period, before the group broadened its sonic palette and lyrical vision, War is a brilliantly conflicted album, sounding martial and majestic while its very purpose is to tear down false idols propped up by politics.... See more

(12/19/06) The final album of U2's early period, before the group broadened its sonic palette and lyrical vision, War is a brilliantly conflicted album, sounding martial and majestic while its very purpose is to tear down false idols propped up by politics. "Sunday Bloody Sunday" and "40" take the subject of Ireland's troubles head-on, while it's the subtext of "New Year's Day," which is about a sundered love relationship symbolic of a greater division. "Torn in two, we can be one," Bono pleads, as Edge's guitar scratches and snarls behind him. Songs such as "Two Hearts Beat as One" and the delicate "Drowning Man" take a back seat here, but they help make War a compelling and well-rounded album. --Daniel Durchholz See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) An appreciable leap forward in almost every fashion from the group's first trio of albums, The Unforgettable Fire is its first with the production team of Brian Eno and Daniel Lanois. And while they take a strong hand in wrestling U2's music out of... See more

(12/19/06) An appreciable leap forward in almost every fashion from the group's first trio of albums, The Unforgettable Fire is its first with the production team of Brian Eno and Daniel Lanois. And while they take a strong hand in wrestling U2's music out of the mainstream and into a more individualistic area, it's the songs themselves that demand a more subtle approach. Moody gems such as "A Sort of Homecoming" and the entrancing "Bad" set the table for more explosive fare such as "Pride," "Wire," and the title track. This is the album that made U2 a career act, showing that their music could grow by leaps and bounds, even at the hand of another, without sacrificing its soul. --Daniel Durchholz See less

Priority:

1 of 1 reserved | Unreserve

What email address did you use to reserve this gift?

Sorry, that email address wasn't found.

Cancel

of 0

Buy this at amazon.com

(12/19/06) The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling.... See more

(12/19/06) The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, "Come Together" and "I Want You (She's So Heavy)" make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ("Golden Slumbers"/"Carry That Weight"/"The End") is nicely undercut, in typical Beatles fashion, by Paul McCartney's cheeky "Her Majesty," which follows. --Rickey Wright See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) Wish You Were Here is a song cycle dedicated to Pink Floyd's original frontman, Syd Barrett, who'd flamed out years before: two grimly funny songs about the evils of the music business ("By the way, which one's Pink?"), and two long, touching ones... See more

(12/19/06) Wish You Were Here is a song cycle dedicated to Pink Floyd's original frontman, Syd Barrett, who'd flamed out years before: two grimly funny songs about the evils of the music business ("By the way, which one's Pink?"), and two long, touching ones about the band's vanished friend. The real star of the show, though, is the production: sparkling, convoluted, designed to sound deeply oh-wow under the influence--and pretty great sober too--with David Gilmour getting lots of space for his most lyrical guitar playing ever. And, though the album is big and ambitious, even bombastic, it somehow dodges being pretentious--the Barrett tributes are honest and heartfelt, beneath all the grand gestures and stereophonic trickery. --Douglas Wolk See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) How John Lennon's confessional song became the title for a silly James Bond spoof I really don't know. The funny thing is, it works both ways--as a young man's personal statement about learning to open up to others, and as the frantic theme for... See more

(12/19/06) How John Lennon's confessional song became the title for a silly James Bond spoof I really don't know. The funny thing is, it works both ways--as a young man's personal statement about learning to open up to others, and as the frantic theme for an exotic espionage chase comedy starring those lovable mop-tops (this time in color). Like A Hard Day's Night, only the first "side" of this album actually contains songs from the movie--the biggest hits being the eponymous cry for assistance and "Ticket to Ride." But part 2 has a few nice tunes as well, like "It's Only Love," "I've Just Seen a Face," and a little ditty called "Yesterday." And I always love it when they do an all-out screamer like "Dizzy Miss Lizzy," which sounds like John's raucous answer to Paul's "Kansas City/Hey, Hey, Hey, Hey" vocal on Beatles for Sale. Of course, it's essential--as are all the Beatles' soundtracks (all the Beatles' albums), with the possible exception of Yellow Submarine. --Jim Emerson See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which... See more

(12/19/06) Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) Better known as the "White Album," this was meant to be the record that brought them back to earth after three years of studio experimentation. Instead, it took them all over the place, continuing to burst the envelope of pop music. Lennon and... See more

(12/19/06) Better known as the "White Album," this was meant to be the record that brought them back to earth after three years of studio experimentation. Instead, it took them all over the place, continuing to burst the envelope of pop music. Lennon and McCartney were still at the height of their powers, with Lennon in particular growing into one of rock's towering figures. But even McCartney could still rock, and the amazement on "Helter Skelter" was that he had vocal cords at the end. From Beach Boys knock-offs to reggae and to the unknown ("Revolution #9"), this has it all. Some records have legend written all over them; this is one. --Chris Nickson See less

Priority:

Reserve

Email Address: Please enter valid Email id

Enter your email address to un-reserve this later. We will not share your email address with anyone. This email address is already registered.Please Sign in

Cancel

Buy this at amazon.com

(12/19/06) Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds... See more

(12/19/06) Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." --Don Harrison See less