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Massages are awesome. I have gotten them at the Advanced Fuller School in Virginia beach, where the prices are very...
(07/27/08) Massages are awesome. I have gotten them at the Advanced Fuller School in Virginia beach, where the prices are very reasonable. I also like the massages at Metamorphosis Salon & Spa in Virginia Beach. I have been there a few times for various things and always enjoy it. http://www.advancedfullerschool.com/ Metamorphosis - 757-497-6382See less
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Give Up, the debut release by this indie supergroup composed of Ben Gibbard from Death Cab for Cutie and Jimmy...
(10/19/07) Give Up, the debut release by this indie supergroup composed of Ben Gibbard from Death Cab for Cutie and Jimmy Tamborello from Dntel, is a smart, quaint, and often transcendent little pop record. The roots of the album lie in "(This Is) The Dream of Evan and Chan," a woozy, gorgeous song recorded for the rad 2001 Dntel album Life Is Full of Possibilities. With Jimmy in L.A. and Ben in Seattle, the two simply mailed tracks back and forth, collaborating via (you guessed it) the United States Post Office. Lyrically it's far breezier and happier (though not too happy) than anything Gibbard had written up to this point for Death Cab. The music is an elastic, very smart update of synth-pop and the melodies crystal clear, while the backing vocals courtesy of Jen Wood and Jenny Lewis are spartan and pretty. The songs stick in your head for days at a time. Forget the tags that have been thrown up against this music--Poptronica? New new new order? Please just enjoy this album. It just might be a...See less
This 1975 collection excels in large part due to its modest goal. It's the Who's singer-songwriter record. Without the...
(10/19/07) This 1975 collection excels in large part due to its modest goal. It's the Who's singer-songwriter record. Without the ostensible shield his "rock operas" provided, Pete Townshend's personal demons strut about nakedly. Not a pretty sight, but an involving spectacle nevertheless. "They Are All in Love" and "How Many Friends" are forgotten Who songs, but they've aged beautifully. John Entwistle's "Success Story" sequences nicely with the rest of the album. And "However Much I Booze," "Dreaming from the Waist," and "In a Hand or a Face" are great decade-early exercises in mid-life self-pity. There are only three bonus tracks here--live versions of "Squeeze Box," "Dreaming from the Waist," and the earlier "Behind Blue Eyes"--but By Numbers is such a cohesive collection that they're less welcome extras than annoying distractions. Still, By Numbers now stands as one of the linchpins in a great band's catalog. --Steven StolderSee less
This Charleston, SC based quintet started off playing traditional Irish folk music spiked with a dose of Delta blues....
(10/19/07) This Charleston, SC based quintet started off playing traditional Irish folk music spiked with a dose of Delta blues. Later, they began writing and performing original material influenced by The Beatles, REM, and Radiohead. While the band is cagey about the sound of their third record, sources have described it as melodic, trancey, and catchy as hell.See less
Lightly enjoyable but a disappointment in the context of author Leslie Charteris's popular character, the Saint--who has...
(10/19/07) Lightly enjoyable but a disappointment in the context of author Leslie Charteris's popular character, the Saint--who has been played by several actors, most notably George Sanders--this 1997 film is more in keeping with the requirements of high-octane contemporary action than it is the requirements of a particular legacy. Val Kilmer plays Simon Templar, the mercenary spy, who is hired to steal a fusion formula but falls in love with the scientist (Elisabeth Shue) who cooked it up. Kilmer's portrayal bears little resemblance to Charteris's rakish hero, and the film itself becomes increasingly improbable and ponderous the longer it goes on. --Tom Keogh See less
Dean Martin's holiday specials qualified as "must-see TV" decades before that phrase was coined. His easygoing charm and...
(10/19/07) Dean Martin's holiday specials qualified as "must-see TV" decades before that phrase was coined. His easygoing charm and velvety smooth voice won over a generation of fans in the 1950s and 1960s--and still holds sway over modern-day hipsters. This holiday album helps to show why. Never one for cheap sentiment, Dino sticks to the sultry ballads that he knows so well, emphasizing tunes like "Baby, It's Cold Outside" and "I've Got My Love to Keep Me Warm" over traditional carols. --David SpragueSee less
One More Drifter in the Snow offers a bittersweet--but not downbeat--look at a holiday that represents the height of...
(10/19/07) One More Drifter in the Snow offers a bittersweet--but not downbeat--look at a holiday that represents the height of happiness for some, the depths of sadness for others. Following in the classy footsteps of Miss Peggy Lee, Aimee Mann takes an intimate approach to an increasingly hectic time of year. In other words, the set is a throwback to a slower-paced era. (In cinematic terms, that means more Meet Me in St. Louis, less Jingle All the Way.) There are two fitting originals, "Calling on Mary" (Mann) and "Christmastime" (Jon Brion and Michael Penn). The rest are seasonal favorites, with the exception of Jimmy Webb's "Whatever Happened to Christmas," which may be new to some. On all tracks, the focus is on the tasteful strings--credit Patrick Warren for the chamberlin, celeste, and pump organ--and Mann's delicate delivery. Overall, the artist is more interested in providing comfort than radical reinvention, although a dreamier-than-usual "Have Yourself a Merry Little Christmas" enjoys...See less
Few bands are better suited than the Barenaked Ladies to take obnoxious old Christmas jingles to an entirely new level...
(10/19/07) Few bands are better suited than the Barenaked Ladies to take obnoxious old Christmas jingles to an entirely new level of obnoxiousness. The Canadian pop group does a smack-up job on this generous collection, where they tackle children's relics like "Rudolph the Red-Nosed Reindeer," curious seasonal fare such as Band-Aid's Ethiopian charity single "Do They Know It's Christmas," and a handful of tongue-in-cheek originals that share the bookish humor of the band's hits like "One Week" and "Brian Wilson." Even the inclusion of three Hannukah songs doesn't raise the bar for reverence. The disc also includes collaborations with Sarah McLachlan and Michael Buble. --Aidin VaziriSee less
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Clay Aiken may look wide-eyed and unassuming, but when it comes to figuring out what his fans want for Christmas, he's...
(10/19/07) Clay Aiken may look wide-eyed and unassuming, but when it comes to figuring out what his fans want for Christmas, he's got it all figured out. On Merry Christmas with Love he so cannily anticipates the musical sugarplums dancing in the heads of his devotees that you half expect him to climb down the chimney and hand-deliver it. Key to the dozen-song collection's appeal is its straightforwardness: Parting ways with the sea of celebrities who use holiday discs as an excuse to cut loose, Aiken banishes irony and coyness so absolutely here that certain carols--the medley "Hark the Herald Angels Sing/O Come All Ye Faithful" and "Silent Night" especially--take on church-like tones; expect tree trimmers to put aside their tinsel and contemplate the meaning of the season. Yet don't expect them to miss out on any merriment. On less chestnutty selections like the ballads "Mary Did You Know" and Celine Dion's "Don't Save It All for Christmas Day," Aiken lets it rip, reining in a passion and...See less
Jewel has concocted an intriguing and at times beautifully inspired holiday album, playing it straight with a big...
(10/19/07) Jewel has concocted an intriguing and at times beautifully inspired holiday album, playing it straight with a big orchestra and backing voices for the first half of the record with standards such as "Joy to the World," "Winter Wonderland," "Silent Night," as well as a lovely rendition of "Ave Maria." Things finally get sparkling in the last half where Jewel does a low-key, kid version of "Rudolph" and sings her own compositions. Her moving "Face of Love" and "Hands" are certain to become holiday standards, capable of being sung in a country, pop, gospel, or R&B vein and deserving of an audience as wide as the nation itself. The record's centerpiece, however, seems to be a six-minute-plus medley that mixes "Go Tell It on the Mountain" with the recent hit "From a Distance" and her own "Life Uncommon." Nonetheless, her stunning adaptation of "Gloria" inspired, in part, by Bach's B-Minor Mass, two tracks later is as powerful and lovely a Christmas vocal performance as you will find...See less
The affable crew of WNYX is at it again in this painfully underseen sitcom. The 1996-97 season is more outlandish and...
(10/19/07) The affable crew of WNYX is at it again in this painfully underseen sitcom. The 1996-97 season is more outlandish and escapes the clichés of the secret romance between reporter Lisa (Maura Tierney) and news director Dave (Dave Foley), the most continuous storyline of the first two seasons. Many of the season's episodes deal with the normalcy of the office environment: performance reviews, the complaint box, budget cuts, the annual Halloween party, and office feuds, most involving the wonderfully smug anchor Bill McNeal (Phil Hartman in what should have been his signature role) and daffy reporter Matthew (Andy Dick, certainly his signature role). However, NewsRadio creator Paul Simms and the writers push the envelope, including placing Bill in a mental ward (meeting patient Jon Lovitz who would fill in for Hartman later), Dave's obsession with an arcade game, Matt's compulsion with his "twin" brother (played by Jon Stewart), and eclectic owner Jimmy James's (Andy Root) brief run for the...See less
For haters eager to see Kanye hit a sophomore slump--no such luck. Late Registration can't replicate the novelty of last...
(10/19/07) For haters eager to see Kanye hit a sophomore slump--no such luck. Late Registration can't replicate the novelty of last year's College Dropout, but otherwise, this is an impressively more mature and labored-over album. Lyrically, Kanye's only improved a notch but musically, the album sounds incredible, especially with co-producer Jon Brion helping polish the songs to perfection. Tracks like "Heard 'Em Say" (featuring Maroon 5's Adam Levine) and "Hey Mama," are richly textured in their soulfulness while the flint-edge of "Crack Music" and "Gone" (feat. Cam'ron) will appeal to the street-oriented. There's a few duds on here--the sickly-sweet, syrupy "Bring Me Down" (feat. Brandy) being one of the worst offenders--but when the album's good, it's very, very good. In short, Kanye's detractors may not be swayed in their resistance to his charms but not only will his past supporters be rewarded but Late Registration has enough appeal to earn new crowds of fans. --Oliver WangSee less
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