Figured this review section could use some non-Kentucky commentary, though it's certainly good to see that the band still has a strong regional following after all this time. This album [drew] me in, as none other really has in a...
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Figured this review section could use some non-Kentucky commentary, though it's certainly good to see that the band still has a strong regional following after all this time. This album [drew] me in, as none other really has in a very long time. I've been very jaded lately about new music, not that any that I listen to is very poor: more like, none of it stands out very far in my mind, lately. This one is different, somehow....first of all, Jim's voice is just about as good as it gets for the kind of twang he puts into his performances. It's utterly fitting of the style of down-home music they play, and yet it's not a pure-country voice by a stretch. (Like the voice of someone who is country whether they like it or not, sort of like I am by heritage.) Anyway, the man has pipes and he makes very dynamic use of it throughout this long (73 minutes!) album. Secondly, the production on this album is superior....fans of the Tennessee Fire will notice a HUGE difference between the way the band sounds here and how they sounded in their official debut. Of course, you should not be too discouraged to get TF if you enjoy this album, for the simple fact of its brilliance will always surpass whatever they were financially lacking during the recording of the album. But, At Dawn is a much better introduction for the new listener in my opinion, and it also has a little more rock action in it. I digress, as always. Simply put, if you are not completely urbanized beyond your own control, or too fascinated with American Idol to give real music a chance, you WILL find a reason to love this album....& this statement is coming from a HUGE Aphex Twin / Philip Glass fanatic of many many years, so I know what I'm talking about. Good art doesn't require a specific genre or one particular artist, good music only requires real pathos and the raw talent to back it up, and these guys prove that yes, even country-rock can be artful and sincere at its best - although a little reggae never hurt anybody either. Comment | Permalink | Was this review helpful to you? (Report this)
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