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Sunset Boulevard (1950) is a classic black comedy/drama, and perhaps the most acclaimed, but darkest film-noir story about "behind the scenes" Hollywood, self-deceit, spiritual and spatial emptiness, and the price of fame, greed,...
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Sunset Boulevard (1950) is a classic black comedy/drama, and perhaps the most acclaimed, but darkest film-noir story about "behind the scenes" Hollywood, self-deceit, spiritual and spatial emptiness, and the price of fame, greed, narcissism, and ambition. The mood of the film is immediately established as decadent and decaying by the posthumous narrator - a dead man floating face-down in a swimming pool in Beverly Hills. With caustic, bitter wit in a story that blends both fact and fiction and dream and reality, co-writer/director Billy Wilder realistically exposes (with numerous in-jokes) the corruptive, devastating influences of the new Hollywood and the studio system by showing the decline of old Hollywood legends many years after the coming of sound. The screenplay was based on the story A Can of Beans by Wilder and Brackett - this was the last collaborative film effort of Brackett and Wilder who had worked together on many films since 1938. This classic, tragic film was highly-regarded at its time, honored with eleven Academy Award nominations and the recipient of three Oscars: Best Story and Screenplay (co-authored by Charles Brackett, D.M. Marshman, Jr., and Billy Wilder), Best Black and White Art Direction/Set Decoration, and Best Scoring of a Dramatic or Comedy Picture (Franz Waxman). The eight unsuccessful nominations were for Best Picture, Best Actor (William Holden), Best Actress (Gloria Swanson, who lost to Judy Holliday for Born Yesterday), Best Supporting Actor (Erich von Stroheim), Best Supporting Actress (Nancy Olson), Best Director, Best B/W Cinematography (John Seitz), and Best Film Editing. The major starring role in the film, an inspired casting choice, was held by legendary silent film diva Gloria Swanson (Mae West was also a possible choice for the role), who "autobiographically" portrayed Norma Desmond - a deluded, tragic, ambitious actress whose career declined with the coming of the talkies. [Her name was a combination of the names of two early Hollywood figures: comedy star Mabel Normand, and silent-film director William Desmond Taylor (Normand's lover), who was murdered in 1922. There was an intensive investigation but his murder case went unsolved.] The other starring role belonged to a modern day, B-movie hack screenwriter/narrator (William Holden, although Montgomery Clift was once considered for the role) who spoke beyond the grave as a phantom narrator. He recounted how he struggled to produce screenplays to meet the demands of the industry and satisfy the thirsty illusions of immortality of the aging silent film queen in her decaying mansion. After being showered with bribes (clothes, money, flattery and other gifts), he was quickly spoiled and ensnared in her web of delusion - and death trap. This film was a first, since it mixed fiction with the realities of film-making. Other Hollywood legends, stars, figures, and screen landmarks also appear or are referenced, including: * Paramount Studios itself * silent-screen director Erich von Stroheim (as the faithful, devoted butler, in his last film) of the severely-edited masterpiece Greed (1924) * famous Hollywood director Cecil B. DeMille (playing himself while directing Samson and Delilah (1949)) * Mabel Normand (a comedienne for Mack Sennett - notice the cryptic reshuffling of Norma's name) * columnist Hedda Hopper in a bit part * aging silent era stars as themselves, portraying Norma's 'waxworks' card-playing friends: Buster Keaton, Swedish-born Anna Q. Nilsson, and H. B. Warner
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Highlights:
He decides to "wrap up the whole Hollywood deal and go home" with a bus ticket back to Dayton, Ohio returning to a $35 a week job behind the copy desk of the Dayton Evening Post if it was still open - "back to the smirking delight...
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