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Added on 11/01/09
Female Beats wrote poetry, took drugs, went on the road, listened to jazz, and lived on the fringe just as the men did, but their accomplishments are not as widely recognized. This volume attempts to correct this oversight by profiling 40 women of...
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Female Beats wrote poetry, took drugs, went on the road, listened to jazz, and lived on the fringe just as the men did, but their accomplishments are not as widely recognized. This volume attempts to correct this oversight by profiling 40 women of the Beat generation and publishing samples of their work. Well-known poets Diane di Prima and Denise Levertov appear in the volume, along with the muses of male writers and other women who never became famous at all. As Brenda Knight notes in her introduction, counterculture women in the 1950s and 1960s faced difficult obstacles: "To be unmarried, a poet, an artist, to bear biracial children, to go on the road was doubly shocking for a woman, and social condemnation was high." The first portion of the anthology is devoted to women who were not Beats but who set the stage for the movement. Josephine Miles wrote poetry and mentored the younger Beat poets at Berkeley, while Madeline Gleason founded the San Francisco Poetry Festival. In the... See less
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